William Norton’s Goddess: Myth, Memory, and the Art of Cultural Connection

“Goddess”: Myth, Memory, and the Art of Cultural Connection

PeepShow Space Redux: A Bonds & Norton Art Galleries Production

37 North 15th Street, #108

Greenpoint, Brooklyn, NY 11222

(Corner of Gem Street)

February 15, 2025 through March 29, 2025

“and on the third day she rested”

Acrylic and Imitation Gold Leaf on canvas with hand etched Plexiglass with Frame

76” x 54”

2024

“Fujiyama: Pretty in Pink”

Acrylic on Canvas, Imitation Gold Leaf with Hand Etched Plexiglass, Chop Sticks

48.5” x 42.75”

2024

“Original Sin”

Acrylic, Charcoal and Imitation Gold Leaf on Paper & Canvas

42.75” x 48.5”

2024

“Fujiyama”

Acrylic on Museum Board with Imitation Gold Leaf and 100% Rag Paper with Charcoal

41.5” x 34.5” (framed)

October 28, 2024

“Konohanasakuya-hime Umbrella Figure for Hong Kong and Japan”

Acrylic on Wood with Imitation Gold Leaf

88” x 52” x 37”

12/2024

“Fujiyama/With Pink”

Acrylic, Imitation Gold Leaf, Charcoal on Paper and Museum Board

35.5” x 51” x 3” (framed)

2024

“Fujiyama/With Pink”

Acrylic, Imitation Gold Leaf, Charcoal on Paper and Museum Board

35.5” x 51” x 3” (framed)

2024

Installation shot

“Fujiyama/Guernica #9”

Acrylic and Imitation Gold Leaf on 100% Rag Paper

40” x 32”

10/29/2023

Greenpointers.com

Recent Exhibitions

“and on the third day she rested”

My Solo Show William Norton’s Goddess: Myth, Memory, and the Art of Cultural Connection

William Corwin/ Gallery & Studio Arts Journal

Winter 2024

Wanderer

William Corwin/ Gallery & Studio Arts Journal

Winter 2024

Wanderer

William Corwin/ Gallery & Studio Arts Journal

Winter 2024

Bushwick Open Studio

“La Dejeuner Sur L’Herbe”

“La Dejeuner Sur L’Herbe

Acrylic on Plywood

48” x 50” x 5”

2/18/2024

“La Dejeuner Sur L’Herbe

“La Dejeuner Sur L’Herbe” / Upcoming September 19 - October 31 “Who’s Afraid of Red, Yellow and Blue” curated by Ellen Hackl Fagan, the Factory, LIC, NY

Acrylic on Plywood

48” x 50” x 5”

2/18/2024

“A Murder of Crows” /October 5 - November 3 “Shibboleth” Icebox 4, Williamsburg Brooklyn, curated by Tom Fitzgibbon

Acrylic and Imitation Gold Leaf on Police Riot Shield with Etched Plexiglass

35.5” x 18.5” x 6”

October 26, 2023

“A Murder of Crows”

at IceBox 4 Gallery

“Shibboleth”

WHITNEY STAFF SHOW 2024

Whitney Museum Staff Show6/28-7/17/2024

Staff Show Graphic

“Projecting Kop Head”, (a 2 sided painting)

Acrylic, Plexiglass, Charcoal, Paper on Wood

70” x 57” x 4”

1/27 - 1/28, 2024

Side with Kop in Hemet with Face Shield side

“Projecting Kop Head”, (a 2 sided painting)

Acrylic, Plexiglass, Charcoal, Paper on Wood

70” x 57” x 4”

1/27 - 1/28, 2024

side with Fujiyama

“Projecting Kop Head”, (a 2 sided painting)

Acrylic, Plexiglass, Charcoal, Paper on Wood

70” x 57” x 4”

1/27 - 1/28, 2024

“Projecting Kop Head”, (a 2 sided painting)

Studio Shot

“Projecting Kop Head”, (a 2 sided painting)

Studio Shot

“Projecting Kop Head”, (a 2 sided painting)

With friend April

“Projecting Kop Head”, (a 2 sided painting)

With Talented artist and friend Mr. Vincent Punch

“Projecting Kop Head”, (a 2 sided painting)

Post from Instagram

“Projecting Kop Head”, (a 2 sided painting)

at the opening

Fujiyama/Guernica Series

Fujiyama/Guernica #4

Acrylic & Gold Leaf on Repurposed Vinyl Advertising Tarp

124” x 375”

October 20-21, 2023

Fujiyama/Guernica #4

Acrylic & Gold Leaf on Repurposed Vinyl Advertising Tarp

124” x 288”

October 20-21, 2023

Fujiyama/Guernica #4

Acrylic & Gold Leaf on Repurposed Vinyl Advertising Tarp

124” x 288”

October 20-21, 2023

Fujiyama/Guernica #4

detail of A Murder of Crows

Fujiyama/Guernica #4

Bill Page documenting this painting

I painted this in 2 days for him to do this

Fujiyama/Guernica: A Murder of Crows

Acrylic, Chalk, Imitation Gold Lead on Repurposed Vinyl Advertising Tarp

120” x 288”

2023-2024

“Changing for Good”, Fujiyama meets Guernica

acrylic and imitation gold leaf on repurposed advertising vinyl

144” x 288”

2023-2024

“Changing for Good”, Fujiyama meets Guernica

detail

“Changing for Good”, Fujiyama meets Guernica

detail: crow in the gold leaf, reminiscent of Nazi Eagle

“Changing for Good”, Fujiyama meets Guernica

detail:bomber, foot, explosion

“Changing for Good”, Fujiyama meets Guernica

detail

Fujiyama /Guernica #1

Acrylic on Repurposed Advertising Vinyl

120” x 288”

September 30, 2023

Fujiyama /Guernica 1

detail

Fujiyama /Guernica #1

Veterans Song: Fujiyama/Guernica #12

Acrylic and Imitation Gold Leaf on Repurposed Advertising Vinyl

62” x 134”

November 10, 2023

Fujiyama/Guernica #10

Acrylic on Foamcore with Imitation Gold Leaf in Wooden Frame

69” x 69”

November 4-5, 2023

Fujiyama/Guernica #10

Acrylic on Foamcore with Imitation Gold Leaf in Wooden Frame

69” x 69”

November 4-5, 2023

Fujiyama/Guernica #10

detail

Fujiyama/Guernica #10

detail

Fujiyama/Guernica #10

detail

Fujiyama/Guernica #10

detail

Fujiyama

Acrylic on Museum Board with Imitation Gold Leaf and 100% Rag Paper with Charcoal

41.5” x 34.5” (framed)

October 28, 2024

Fujiyama

Acrylic on Museum Board with Imitation Gold Leaf and 100% Rag Paper with Charcoal

41.5” x 34.5” (framed)

October 28, 2024

Fujiyama

Acrylic on Museum Board with Imitation Gold Leaf and 100% Rag Paper with Charcoal

41.5” x 34.5” (framed)

October 28, 2024

Fujiyama/Guernica #9

Acrylic and Imitation Gold Leaf on 100% Rag Paper

40” x 32”

10/29/2023

Fujiyama/Guernica #14 “Guernica and the ¥1000 Note”

Acrylic and Imitation Gold Leaf on Foamcore Cutout and Blueboard

27.5” x 39.5” (framed)

11/17/2023

Fujiyama/Guernica #15

Acrylic on Foamcore

29.75” x 36.5” (framed)

November 22, 2023

Making My Marks: Fujiyama/Guernica #11/Kop Shot

A 2 Sided Painting

Acrylic on Repurposed Vinyl Advertising with Gorilla Tape borders

72” x 70”

2023

“Kop Shot”

as seen in the Whitney Museum of American Art Staff Show

Making My Marks: Fujiyama/Guernica #11

Acrylic & Imitation Gold Leaf on Repurposed Advertising Vinyl and Gorilla Tape Border

(this is a 2 Sided Painting)

68” x 72”

11/7/2023

the other side of this painting is

KKKOP Shot

this painting traveled to Japan to be in the Kyoto Art Museum exhibition in December

“Kop Shot” (This is the other side to Making My Marks: Fujiyama/Guernica #11)

Acrylic on Repurposed Vinyl Advertising with Gorilla Tape borders

72” x 70”

2023

“A Murder of Crows”

Acrylic and Imitation Gold Leaf on Police Riot Shield with Etched Plexiglass

35.5” x 18.5” x 6”

October 26, 2023

“A Murder of Crows”

detail

“Guernica’s Eye and a Murder of Crows”

Acrylic and Imitation Gold Leaf with Etched Plexiglass on Police Riot Shield

35” x 18” x 4”

October 27, 2023

“Guernica’s Eye and a Murder of Crows”

detail

“Guernica’s Eye and a Murder of Crows”

detail

Beautifying the Monstrous

3 KKKop Hemets

“When the River Runs Red”

“Murder of Crows Helmet”

“Cyclops”

Acrylic and Imitation Gold Leaf on Police Riot Helmet

18” x 12” x 10.5” (each)

2024

(they are each on their own electrically propelled “lazy susan” style pedestal stand:base)

On Vacay

Acrylic, Charcoal, Crayon, Pastel on Wood & Paper in Artist Built Frame

90” x 60” x 5”

2024

“On Vacay”

detail of paper with drawing in collar

On Vacay

Detail

“On Vacay”

detail with fish

“On Vacay”

detail of fish

“On Vacay”

detail

Fujiyama/Guernica #15

Acrylic on Foamcore

29.75” x 36.5” (framed)

November 22, 2023

Fujiyama /Guernica #9

Acrylic and Imitation Gold Leaf on 100% Rag Paper

40” x 32”

10/29/2023

Fujiyama in the Guernica Sun

Acrylic and Imitation Gold Leaf on Foam Core

24.5”x 32”

2023

Fujiyama/Guernica #17

Acrylic, Charcoal on 100% Rag Paper with Imitation Gold Leaf on MDF board

12” x 12”

11/24/2023

Fujiyama with Guernica’s Eye

Acrylic & Charcoal on 100% Rag Paper, Imitation Gold Leaf and MDF Board

11/25/2023

Fujiyama /Guernica #19

Acrylic and Imitation Gold Leaf on MDF board

12” x 12”

11/24/2023

Fujiyama K-Kop

Acrylic on MDF Board

12” x 16”

11/25/2023

Small Pinko with Fuji

Acrylic on MDF Board

16” x 12” x 1.5”

2/18/2024

Mind KKKontrol

Acrylic on Styrofoam and Wood

16” x 12” x 3.5”

2024

Styx & Stones: It’s Raining Fascists

SOLO SHOW

Styx & Stones: It’s Raining Fascists

The Boiler191/ELM Foundation

191 North 14th Street

Brooklyn NY

March 25 - April 15, 2023

curated by Wade Bonds

3 D walkthrough of Styx & Stones

3 D Walkthrough

“in the rain i feel myself swallowed,savored, teased by your tongue”

Acrylic on Recycled Advertising Vinyl

132” x 120”

12/11-12/12 2022

3 D view of exhibition

3D View of exhibition

3D View of exhibition

3 D View of exhibition

installing the exhibition . There was a lot to cull

getting close to the final look

“Rain” (a 2 sided painting)

Acrylic and Charcoal on Plywood in artist built frame

101.5” x 107” (framed)

8/20-21/2022

“Rain” (a 2 sided painting)

Installation View

“in the rain i feel myself swallowed,savored, teased by your tongue” side 2

Acrylic on Recycled Advertising Vinyl

132” x 120”

12/11-12/12 2022

“in the rain i feel myself swallowed,savored, teased by your tongue” side 2

Acrylic on Recycled Advertising Vinyl

132” x 120”

12/11-12/12 2022

Panda-Moanium

Acrylic on Repurposed Vinyl Advertising

144” x 276”

2022

this painting features umbrellas (symbols of resistance for the Hong Kong democracy movement) and Panda Bears (stand ins for Xi Jinping)

Panda-Moanium

Installation View

early in the opening

“Our Heroic Oppressors”

Charcoal on 100% Rag Paper

90.5” x 84”

4/27/2022

“World Cop Pruning in the Garden”

Charcoal, Pastels, Oil Sticks, on Cut Out MDF, Tar Paper, Plasticized World Map, Gold Leaf, lights in Artist Built Frame

62.25” x 113” x 8”

2021

In The Mix

Charcoal on 100% Tag Paper

90.5” x 84”

4/20/2022

“Trophy for Hong Kong”

Umbrellas, Police Riot Hemet, Pedestals, Light

81” x 51” x 72”

2022

opening view

discussing the work with friends

“Pink Umbrella”

Acrylic on Wood

48” x 48”

8/26/2022

Strange Fruit

plexiglass cutout of KKKop figure

seen in the dark

with Wade Bonds (CURATOR )

“Chasing Nuclear Dragon”

Charcoal on Paper mounted on gold leafed board in artist built mahogany frame, with wooden column, umbrella and cop helmet

106.5” x 102” x 30”

2021

“Chasing the Nuclear Dragon”

side view

Panda-Moanium

Acrylic on Repurposed Vinyl Advertising

144” x 276”

2022

Panda-Moanium (detail)

Panda-Moanium

Panda-Moanium (detail)

plastic flowers

portrait in front of Panda-Moanium

“Bomb Site: 20/20”

36” x 36” x 6”

Charcoal on 100% Rag Paper,

Plexiglass, Fluorescent Light, Wood, Paint

2020

Hrag Vartanian at the exhibition

good friend

“in the rain i feel myself swallowed,savored, teased by your tongue” and “Rain”: a 2 sided painting

“Pink Umbrella “

Acrylic on Wood

48” x 48”

8/26/2022

“Bombsite 2020” on the floor, “In the Mix” on the left wall, Panda-Moanium

drawings in the window

“Colossus: after Goya”

drawings in the windows

World Cop (detail)

installing the exhibition . There was a lot to cull

I made so many large scale paintings prior to the show.

2 Faced Paintings

“La Dejeuner Sur L’Herbe”

Acrylic on Plywood

48” x 50” x 5”

2/18/2024

“La Dejeuner Sur L’Herbe”

Acrylic on Plywood

(side 1)

48” x 50” x 3/4”

2/18/2024

“La Dejeuner Sur L’Herbe”

Acrylic on Plywood

(side 2)

48” x 50” x 3/4”

2/18/2024

“I heard the sound of the sun, when I turned around the mountain was gone”

Acrylic on wood

50” x 25” x 5”

2/3-2/4/2024

“I heard the sound of the sun, when I turned around the mountain was gone”

Acrylic on wood

50” x 25” x 5”

2/3-2/4/2024

“I heard the sound of the sun, when I turned around the mountain was gone”

“I heard the sound of the sun, when I turned around the mountain was gone”

(side 2)

Acrylic on wood

50” x 25” x 5”

2/3-2/4/2024

“I heard the sound of the sun, when I turned around the mountain was gone”

“I heard the sound of the sun, when I turned around the mountain was gone”

(side 1)

Acrylic on wood

50” x 25” x 5”

2/3-2/4/2024

“Projecting Kop Head”

Acrylic, Plexiglass, Charcoal, Paper on Wood

70” x 57” x 4”

1/27 - 1/28, 2024

“Projecting Kop Head”

Acrylic, Plexiglass, Charcoal, Paper on Wood

70” x 57” x 4”

1/27 - 1/28, 2024

“Projecting Kop Head”

Side 1

Acrylic, Plexiglass, Charcoal, Paper on Wood

70” x 57” x 4”

1/27 - 1/28, 2024

“Projecting Kop Head”

Side 2

Acrylic, Plexiglass, Charcoal, Paper on Wood

70” x 57” x 4”

1/27 - 1/28, 2024

“Rain”: a 2 sided painting

Acrylic and Charcoal on Plywood in artist built frame

101.5” x 107” (framed)

8/20-21/2022

“Rain”: a 2 sided painting

Acrylic and Charcoal on Plywood in artist built frame

101.5” x 107” (framed)

8/20-21/2022

“Rain” : a 2 sided painting

studio shot

Acrylic and Charcoal on Plywood in artist built frame

101.5” x 107” (framed)

8/20-21/2022

“Rain”: a 2 sided painting

Acrylic and Charcoal on Plywood in artist built frame

101.5” x 107” (framed)

8/20-21/2022

“Rain”: a 2 sided painting

Acrylic and Charcoal on Plywood in artist built frame

101.5” x 107” (framed)

8/20-21/2022

“in the rain i feel myself swallowed,savored, teased by your tongue” side 1

Acrylic on Recycled Advertising Vinyl in artist built frame

132” x 120”

12/11-12/12 2022

“in the rain i feel myself swallowed,savored, teased by your tongue” side 1

studio shot

Acrylic on Recycled Advertising Vinyl

132” x 120”

12/11-12/12 2022

Acrylic on Recycled Advertising Vinyl in artist built frame

132” x 120”

12/11-12/12 2022

Acrylic on Recycled Advertising Vinyl in artist built frame

132” x 120”

12/11-12/12 2022

“in the rain i feel myself swallowed,savored, teased by your tongue” side 2

detail

“in the rain i feel myself swallowed,savored, teased by your tongue” side 2

Acrylic on Recycled Advertising Vinyl in artist built frame

132” x 120”

12/11-12/12 2022

“in the rain i feel myself swallowed,savored, teased by your tongue” side 2

Acrylic on Recycled Advertising Vinyl in artist built frame

132” x 120”

12/11-12/12 2022

“in the rain i feel myself swallowed,savored, teased by your tongue” side 2

Acrylic on Recycled Advertising Vinyl in artist built frame

132” x 120”

12/11-12/12 2022

“Kop Shot”/“ Making My Marks: Fujiyama/Guernica #11”

“Kop Shot”

Acrylic on Repurposed Vinyl Advertising with Gorilla Tape borders

72” x 70”

2023

(this is the second side to “Making My Marks: Fujiyama/Guernica #11”

As exhibited in the Whitney Museum of American Art Staff Show in the Westbeth Gallery 55 Bethune Street

Making My Marks: Fujiyama/Guernica #11 (a 2 sided painting)

(As seen in the Kyoto Art Museum with Curator Kei Kihara)

Acrylic & Imitation Gold Leaf on Repurposed Advertising Vinyl and Gorilla Tape Border

(this is a 2 Sided Painting)

68” x 72”

11/7/2023

“Kop Shot”

“Kop Shot”

Acrylic on Repurposed Vinyl Advertising with Gorilla Tape borders

72” x 70”

2023

(this is the second side to Making My Marks: Fujiyama/Guernica #11

As exhibited in the Whitney Museum of American Art Staff Show in the Westbeth Gallery 55 Bethune Street

Making My Marks, Fujiyama /Guernica #11

(As seen in the Kyoto Art Museum)

Acrylic & Imitation Gold Leaf on Repurposed Advertising Vinyl and Gorilla Tape Border

(this is a 2 Sided Painting)

68” x 72”

11/7/2023

Kop Shot: a 2 sided painting

“Kop Shot”

Acrylic on Repurposed Vinyl Advertising with Gorilla Tape borders

72” x 70”

2023

(this is the second side to Making My Marks: Fujiyama/Guernica #11

Making My Marks, Fujiyama /Guernica #11

(As seen in the Kyoto Art Museum)

Acrylic & Imitation Gold Leaf on Repurposed Advertising Vinyl and Gorilla Tape Border

(this is a 2 Sided Painting)

68” x 72”

11/7/2023

“Gift of Water”: a 2 sided painting

Acrylic on Recycled Advertising Vinyl Tarp

62” x 132”

“Gift of Water”: a 2 sided painting

Acrylic on Recycled Advertising Vinyl Tarp

62” x 132”

“Gift of Water”: a 2 sided painting

Acrylic on Recycled Advertising Vinyl Tarp

62” x 132”

“Water Falls- a two sided painting”

132” x 62”

Acrylic on recycled advertising vinyl

8/3 - 8/7/2022

“Water Falls- a two sided painting”

132” x 62”

Acrylic on recycled advertising vinyl

8/3 - 8/7/2022

“Water Falls- a two sided painting”

132” x 62”

Acrylic on recycled advertising vinyl

8/3 - 8/7/2022

“Water Falls- a two sided painting”

showing in the Kameyama Triennale

“Water Falls- a two sided painting”

showing in the Kameyama Triennale

“The Mountain Sings in Deaf Ears” (a 2 Faced Painting

Acrylic, Charcoal, Imitation Gold Leaf on Wood and Foam

36” x 34” x 2.5”

7/20-7/22, 2024

Sculptural Paintings

I’ve been thinking a lot about sculpture as painting. These are 2D/3D paintings

“Konohanasakuya-hime”

Acrylic on Wood with Imitation Gold Leaf

88” x 52” x 37”

2023

“Konohanasakuya-hime”

Acrylic on Wood with Imitation Gold Leaf

88” x 52” x 37”

2023

“Konohanasakuya-hime”

Acrylic on Wood with Imitation Gold Leaf

88” x 52” x 37”

2023

“Konohanasakuya-hime”

Acrylic on Wood with Imitation Gold Leaf

88” x 52” x 37”

2023

Sword Angel in the Garden

Acrylic on Wood with Metal Globe on Artist Made Base with Imitation Gold Leaf

94” x 54” x 11”

2024

Sword Angel in the Garden

Acrylic on Wood with Metal Globe on Artist Made Base with Imitation Gold Leaf

94” x 54” x 11”

2024

Sword Angel in the Garden

detail

Sword Angel in the Garden

detail

Sword Angel in the Garden

detail

“A Murder of Crows”

Acrylic and Imitation Gold Leaf on Police Riot Shield with Etched Plexiglass

35.5” x 18.5” x 6”

October 26, 2023

“A Murder of Crows”

Detail

“Guernica’s Eye and a Murder of Crows”

Acrylic and Imitation Gold Leaf with Etched Plexiglass on Police Riot Shield

35” x 18” x 4”

October 27, 2023

“Guernica’s Eye and a Murder of Crows”

Detail

Beautifying the Monstrous

3 KKKop Hemets

“When the River Runs Red”

“Murder of Crows Helmet”

“Cyclops”

Acrylic and Imitation Gold Leaf on Police Riot Helmet

18” x 12” x 10.5” (each)

2024

(they are each on their own electrically propelled “lazy susan” style pedestal stand:base)

“When the River Runs Red”

Acrylic and Imitation Gold Leaf on Police Riot Helmet

18” x 12” x 10.5

2/17 - 2/18, 2024

“When the River Runs Red”

Cyclops

Acrylic and Imitation Gold Leaf on Police Riot Helmet

18” x 12” x 10”.5”

2024

Cyclops

Murder of Crows Helmet

Acrylic and Imitation Gold Leaf on Police Riot Helmet

18” x 12” x 10.5”

2024

Murder of Crows Helmet

“When the Mountain Blesses the Rain”

Acrylic and Imitation Gold Leaf on Police Riot Helmet and 2” x 7” x 7” Clear Plexiglass Base

18” x 12” x 10.5”

2024

(it’s on it’s own electrically propelled “lazy susan” style pedestal stand base)

“When the Mountain Blesses the Rain”

Acrylic and Imitation Gold Leaf on Police Riot Helmet and 2” x 7” x 7” Clear Plexiglass Base

18” x 12” x 10.5”

2024

(it’s on it’s own electrically propelled “lazy susan” style pedestal stand:base)

“When the Mountain Blesses the Rain”

Acrylic and Imitation Gold Leaf on Police Riot Helmet and 2” x 7” x 7” Clear Plexiglass Base

18” x 12” x 10.5”

2024

(it’s on it’s own electrically propelled “lazy susan” style pedestal stand base)

“When the Mountain Blesses the Rain”

Acrylic and Imitation Gold Leaf on Police Riot Helmet and 2” x 7” x 7” Clear Plexiglass Base

18” x 12” x 10.5”

2024

(it’s on it’s own electrically propelled “lazy susan” style pedestal stand base)

“Double Fuji”

Acrylic on Wood

52.6 x 76” x 2”

2024

Fujiyama with its reflection in the flowing waters. Its rising sun visible only in its reflection.

Smaller Painted Works

Fujiyama/Guernica #17

Fujiyama/Guernica #17

Acrylic, Charcoal on 100% Rag Paper with Imitation Gold Leaf on MDF board

12” x 12”

11/24/2023

Fujiyama/Guernica #19

Acrylic and Imitation Gold Leaf on MDF board

12” x 12”

11/24/2023

Fujiyama/Guernica #15

Acrylic on Foamcore

29.75” x 36.5” (framed)

November 22, 2023

Fujiyama with Guernica’s Eye

Acrylic & Charcoal on 100% Rag Paper, Imitation Gold Leaf and MDF Board

11/25/2023

Fujiyama K-Kop

Acrylic on MDF Board

12” x 16”

11/25/2023

Fujiyama/Guernica #9

Acrylic and Imitation Gold Leaf on 100% Rag Paper

40” x 32”

10/29/2023

Fujiyama/Guernica #14 “Guernica and the ¥1000 Note“

Acrylic and Imitation Gold Leaf on Foamcore Cutout and Blueboard

27.5” x 39.5” (framed)

11/17/2023

Fujiyama in the Guernica Sun

Acrylic and Imitation Gold Leaf on Foam Core

24.5”x 32”

2023

“Mind KKKontrol”

Acrylic on Styrofoam and Wood

16” x 12” x 3.5”

2024

“Small Pinko with Fuji”

Acrylic on MDF Board

16” x 12” x 1.5”

2/18/2024

Midnight Bust with Crow & Fuji

Midnight Bust with Crow & Fuji

Acrylic on Wood Panel

48” x 48”

2024

Oversized Paintings on Recycled Advertising Vinyls

“Cop Casually Smoking While Standing Outstanding the School”

Acrylic on Recycled Advertising Vinyl Billboard

132” x 250+” x 72” (dimensions variable)

5/23/2022

“Cop Casually Smoking While Standing Outstanding the School”

Acrylic on Recycled Advertising Vinyl Billboard

132” x 250+” x 72” (dimensions variable)

5/23/2022

“Cop Casually Smoking While Standing Outstanding the School”

Acrylic on Recycled Advertising Vinyl Billboard

132” x 250+” x 72” (dimensions variable)

5/23/2022

“Cop Casually Smoking While Standing Outstanding the School”

Acrylic on Recycled Advertising Vinyl Billboard

132” x 250+” x 72” (dimensions variable)

5/23/2022

“McCop and the $3 Bundle”

132” X 240” X 65” (dimensions variable)

Acrylic and Artificial Foliage on Recycled Advertising Vinyl

5/28 - 5/29/2022

“McCop and the $3 Bundle”

132” X 240” X 65” (dimensions variable)

Acrylic and Artificial Foliage on Recycled Advertising Vinyl

5/28 - 5/29/2022

“McCop and the $3 Bundle”

132” X 240” X 65” (dimensions variable)

Acrylic and Artificial Foliage on Recycled Advertising Vinyl

5/28 - 5/29/2022

“McCop and the $3 Bundle”

132” X 240” X 65” (dimensions variable)

Acrylic and Artificial Foliage on Recycled Advertising Vinyl

5/28 - 5/29/2022

Subterranean Excursion

“Subterranean Excursion”

Acrylic on Recycled Advertising Vinyl

with other materials coming

132” x 360” (11 Feet by 30 Feet)

Subterranean Excursion

Acrylic Paint on Repurposed Vinyl Advertising Tarp

132” x 360” (11 Feet by 30 Feet)

2022

This painting is my imagined view of the Subway I have to travel within. I have painted worlds and planets as if I have brought Outer Space to this Inner Space.

It’s also a continuation of my Shadow pieces of the subway I carved into plexiglass

This painting is too long for my studio. My main painting wall is 20 feet long and this piece is 30 feet long.

I had to paint 20 feet of it, move that section over, then paint some more.

I then used photos I shot on my phone to see how well the piece worked in its entirety.

I had to put the photos together in an app to make a single image

Though I had continued to make art over the last decade I had not painted. This was the first painting I made in around 20 years.

Subterranean Excursion with sculpture of woman with umbrella

Subterranean Excursion

corner shot with painting on wood and woman with umbrella

I was seeing how this piece would work with sculptural elements

Subterranean Excursion

detail

132” x 360” (11 Feet by 30 Feet)

Subterranean Excursion

“Subterranean Excursion”

Acrylic on Recycled Advertising Vinyl

with other materials

132” x 360” (11 Feet by 30 Feet)

The Myth of Manhood :Solo Show

SOLO SHOW:

the myth of manhood

“creation theorie: blood moon”

M. David & Co

56 Bogart Street, Bushwick, Brooklyn

Myth of Manhood

hand etched plexiglass, black plexiglass, wood

84” x 96” x 7.5”

Solo Show/Ghosts in the Machine 2 (Spring)

Ghosts in the Machine 2 (Spring)

2015-2016

84" x 240" x 1.5"

Hand Carved Plexiglass with Shadows

the images of the subway platforms come from the hundreds of photographs taken by the artist. The images carved into the plexiglass aren’t visible in the plexiglass itself, they only become as shadows cast upon the wall behind the artwork from the light cast through them.

As it takes approximately 20 minutes to carve a 2 square inch section it took a full year to carve the 20 foot long piece.

Ghosts in the Machine 2 (Spring)

2015-2016

84" x 240" x 1.5"

Hand Carved Plexiglass with Shadows

Ghosts in the Machine 2 (Spring)

2015-2016

84" x 240" x 1.5"

Hand Carved Plexiglass with Shadows

Ghosts in the Machine 2 (Spring)

2015-2016

84" x 240" x 1.5"

Hand Carved Plexiglass with Shadows

Ghosts in the Machine 2 (Spring)

2015-2016

84" x 240" x 1.5"

Hand Carved Plexiglass with Shadows

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring (detail)

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring (detail)

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

Ghosts in the Machine 2 (Spring)

detail

Ghosts in the Machine 2 (Spring)

detail with my shadow

Ghosts in the Machine 2 (Spring)

detail overlayed with shadow to better illustrate carved lines

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

(3 of the 4 panels)

HeiHei dog and Mr. Fox

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Ghosts in the Machine 2 - 3 Figures and a Potted Plant Celebrating Spring

Hand Carved Plexiglass with Shadows

84" x 240" x 1.5"

2015-2016

Solo Show/Bootlegs and Bootstraps. -the gallery LTD- Brooklyn, NY

At -the gallery LTD- I gave myself a quick 3 day solo show between scheduled exhibitions. Alongside my 7 foot by 20 foot long drawing ““Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway” I chose to exhibit 2 of my other large drawings, “Chasing the Nuclear Dragon”(which has since been framed) and the 12 foot long drawing “Cops and Cones”

2/16-2/19 2021

Ghosts in the Machine: 3 Figures and a Potted PlantCelebrating Spring in the Suway

Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway

Charcoal, Tape, Pastels on Paper

85” x 240”

2015-2021

“Ghosts in the Machine: 3 Figures Celebrating Spring in the Subway “

Charcoal, Pastels, Tape on Paper

86” x 144”

2015-2021

“Ghosts in the Machine: 3 Figures Celebrating Spring in the Subway “ (detail)

Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway

Charcoal, Tape, Pastels on Paper

85” x 240”

2015-2021

“Ghosts in the Machine: 3 Figures Celebrating Spring (detail) in the Subway “ (detail)

Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway

Charcoal, Tape, Pastels on Paper

85” x 240”

2015-2021

“Ghosts in the Machine: 3 Figures Celebrating Spring in the Subway “ (detail)

Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway (detail)

Charcoal, Tape, Pastels on Paper

85” x 240”

2015-2021

“Ghosts in the Machine: 3 Figures Celebrating Spring in the Subway “ (detail)

Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway (detail)

Charcoal, Tape, Pastels on Paper

85” x 240”

2015-2021

“Ghosts in the Machine: 3 Figures Celebrating Spring in the Subway “ (detail)

Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway (detail)

Charcoal, Tape, Pastels on Paper

85” x 240”

2015-2021

“Ghosts in the Machine: 3 Figures Celebrating Spring in the Subway “ (detail )

Ghosts in the Machine: 3 Figures and a Potted Plant Celebrating Spring in the Subway (detail)

Charcoal, Tape, Pastels on Paper

85” x 240”

2015-2021

Chasing the Nuclear Dragon (installation shot)

Chasing the nuclear Dragon

90” x 96”

Charcoal on Paper

2021

(chasing the dragon is another term for addiction)

Chasing the Nuclear Dragon (photo by Bill Page)

Chasing the nuclear Dragon

90” x 96”

Charcoal on Paper

2021

Chasing the nuclear Dragon

Chasing the nuclear Dragon

90” x 96”

Charcoal on Paper

2021

Chasing the Nuclear Dragon

Chasing the nuclear Dragon

90” x 96”

Charcoal on Paper

2021

Chasing the Nuclear Dragon (close up)

Chasing the nuclear Dragon

90” x 96”

Charcoal on Paper

2021

Chasing the Nuclear Dragon - (artist framed on gold leafed board)

Chasing the (nuclear) Dragon”

Charcoal on Paper mounted on gold leafed board in artist built mahogany frame

106.5” x 102” x 5”

2021

(chasing the dragon is another term for addiction)

Cops and Cones (photo by Bill Page)

Charcoal, Pastels, Tarpaper, Cardboard, Tape on Paper

86” x 144”

2021

Cops and Cones

Cops and Cones

Charcoal, Pastels, Tar Paper, Cardboard, Tape on Paper

86” x 144”

2021

Cops and Cones

Charcoal, Pastels, Tarpaper, Cardboard, Tape on Paper

86” x 144”

2021

Cops and Cones (detail)

Charcoal, Pastels, Tarpaper, Cardboard, Tape on Paper

86” x 144”

2021

Cops and Cones (detail)

Charcoal, Pastels, Tarpaper, Cardboard, Tape on Paper

86” x 144”

2021

Installation shot (photo by Bill Page)

Cops in Full Battle Gear

Since 2019 I have been obsessed with the testosterone overdrive of the police forces around the globe. The need for the militarization of these civilian forces to brutalize and subjugate the less than privileged populations. It’s the manhood myth of the strength of the right of force.

I’ve made multiple large scale drawings, mostly from one image of a cop in full battle gear carrying his truncheon, from a newsreel out of Hong Kong. I’ve drawn them in charcoal, with pastels, oil sticks, with tar paper and world maps.

Several if these drawings have demanded specialized frames be built, which I have done myself.

3 of my framed drawings of cops in full battle gear . thank

in order:

“Fuck U Up”

Charcoal, Pastels, Museum Board, Collage, Tarpaper, Staples on Paper and Wood

50 3/4” x 98 3/4” (framed)

2020 - 2021

“Knock Knock Who’s There”

Charcoal, Pastels, Museum Board, Collage, Tarpaper, Staples on Paper and Wood

50 3/4” x 98 3/4” (framed)

2020 - 2021

“World Cop Pruning in the Garden “

Charcoal, pastel, Oil Stick on World Map, Tar Paper. MDF cutout, Plexiglass Mirrors, Wood, light in artist built frame.

64” x 112” x 7”

(the figure actually leans forward in its frame making it more menacing)

World Cop Pruning in the Garden

Charcoal, pastel, Oil Stick on World Map, Tar Paper. MDF cutout, Plexiglass Mirrors, Wood, light in artist built frame.

64” x 112” x 7”

(the figure actually leans forward in its frame making it more menacing)

Knock Knock Who’s There

“Knock Knock Who’s There”

Charcoal, Pastels, Museum Board, Collage, Tarpaper, Staples on Paper and Wood

50 3/4” x 98 3/4” (framed)

2021

Fuck U Up

“Fuck U Up”

Charcoal, Pastels, Museum Board, Collage, Tarpaper, Staples on Paper and Wood

50 3/4” x 98 3/4” (framed)

Labyrinth

Charcoal on 100% Rag Paper

96” x 96”

2020-2021

“Caped Cop with Truncheon “

“Caped Cop with Truncheon “

Pastels, Charcoal on Tar Paper, Luan, Thin Blue Line Cop Flag

103.5” x 65” x 6.5”

2020

COP

“COP”

Charcoal, Pastels on scavenged plywood with spray paint

72” x 48”

2020

Cop in Full Battle Gear with Baton

“Cop in Full Battle Gear with Baton”

charcoal on 3/4” MDF panel & plywood with pine mending plates

97” x 48”

2020

Cops and Cones

Cops and Cones

Charcoal, Pastels, Sumi Ink, Tar Paper on 100% Rag Paper

88” x 144”

Shooter

Shooter

Charcoal, Pastels, on 100% Rag Paper mounted over Cops with Truncheons Tar Paper cut outs

88” x 110”

2021

2 Drawings and 1 Sculpture of Cops

Cop in Full Battle Gear with Tigger

“Cop in Full Battle Gear with Tigger”

hand cut 1/2” plexiglass with acrylic & mirror finish spray paints, routered images, metal mending plates, traffic light cover and lights

2021

84” x 60” x 10”

3 different Cop Sculptures

Pigskin Trophy

Pigskin Trophy

Hand Cut, Etched and Formed Blue Plexiglass over metal pole

Pigskin Trophy

Pigskin Trophy

Hand Cut, Etched and Formed Orange Plexiglass over metal pole

Cop in Smoke

Cop in Smoke

hand etched image of cops with plexiglass, charcoal on paper on wood

10” x 10” x 4”

2021

Red Cops

Sculptural Wall Drawing incorporating the shadows cast as part of the piece

Pigskin Trophy

Altered Blue Lives Flag

2021

Midnight Bust with Crow & Fuji

Acrylic on Wood Panel

48” x 48”

2024

Charcoal Drawings

“Our Heroic Oppressors”

Charcoal on 100% Rag Paper

90.5” x 84”

4/27/2022

“Our Heroic Oppressors”

Charcoal on 100% Rag Paper

90.5” x 84”

4/27/2022

“In the Mix”

Charcoal on 100% Rag Paper

92 x 86”

4/29/2022

“he’s just a big teddy bear”

Charcoal and Pastels on 100% Rag Paper with Artificial Flower

90” x 72” x 5”

4/30/2022

“he’s just a big teddy bear”

“world view”

World Map collaged onto Tar Paper

99” x 86”

5/6/2022

“world view”

“judgement”

Charcoal and Pastels on 100% Rag Paper

54” x 76”

4/27/2022

“judgement”

“serve and protect”

Charcoal and Pastels on 100% Rag Paper

55” x 30”

4/27/2022

“Colossus Running”

Charcoal on 100” Rag Paper

87” x 84”

2021-2022

teargas”

Charcoal and Acrylic Paint on 100% Rag Paper, Cardboard, Artificial Flower

86” x 46” x 6”

2022

“teargas”

detail

“Bad Apple”

Charcoal and Pastels on 100%Rag Paper and Cardboard

109” x 77”

5/20/2022

“Eating Our Young”

Charcoal, Pastels and Graphite on 100% Rag Paper

55” x 76”

4/27/2022

“Eating Our Young”

detail

WAR IS PEACE: the roadmap through 1984

with Tom Burckhardt, Jason Phillips, William Norton and Dirty Churches

(curated by William Norton)

FREEDOM IS SLAVERY

IGNORANCE IS STRENGTH

BIG BROTHER IS WATCHING YOU

“In the far distance a helicopter skimmed down between the roofs, hovered for an instant like a bluebottle, and darted away again with a curving flight. It was the police patrol, snooping into people's windows. The patrols did not matter, however. Only the Thought Police mattered.”

George Orwell published “1984” in June 1949 as his horrified vision of the totalitarian state. Propaganda becomes the facile fabrication of news, organized by the state to manipulate the populace into passivity and fear. The never-ending war controls the narrative necessary for keeping the workers satisfied with their never-ending drudgery and starvation lifestyles. The Cult of Personality enforced by the Secret Police and their constant mass surveillance are no longer our most feared distant future, with facial recognition software operating through every camera on every corner we are now constantly watched and monitored. In Britain, people are happily living in one of the most ‘watched’ societies on Earth, with an estimated five million security cameras watching people. In China, cameras armed with facial recognition are used by police to pick out criminals even in large crowds. Our own online shopping and research are constantly monitored to send us advertisements.

William Norton is presenting 4 artists whose works are deftly aware of this current reality

Concept for the show

in praise of shadows

what you are looking at are not pencil drawings...all the images are just shadows on the wall. what is visible is not the drawing itself, instead it is the shadow of the drawing,that was hand-carved into each sheet of plexiglass. the drawing becomes revealed upon the wall when the light passes through.

life's daily emphemera are

just shadows of memory

nurtured in japan... i believe the soul of the artwork is instilled by the hand of the artist

artists should create beauty with emotional significance and depth that is tied to a direct appraisal of life as seen, digested and expressed by the artist

in praise of shadows

what you are looking at are not pencil drawings...all the images are just shadows on the wall. what is visible is not the drawing itself, instead it is the shadow of the drawing,that was hand-carved into each sheet of plexiglass. the drawing becomes revealed upon the wall when the light passes through.

life's daily emphemera are

just shadows of memory

nurtured in japan... i believe the soul of the artwork is instilled by the hand of the artist

artists should create beauty with emotional significance and depth that is tied to a direct appraisal of life as seen, digested and expressed by the artist

Ghosts in the Machine 2 (spring)

84" x 240" x 1.5"

Hand Etched Plexiglass with Shadows

2015-2016

Ghosts in the Machine 2 (Spring)

Movable Cops

132” x 154” x 27”

Hand Etched Plexiglass on Movable Rack System, Aluminum, Wood, Paper, Clock Pendulum, Plexiglass Mirrors, Umbrella, Yellow Raincoat, Charcoal on Cardboard, MDF

this piece is made to interacted with by the audience as all the plexiglass sheets are in sliding tracks. Implying their inaction and complicity

2019-2020

William Norton is an Artist /Curator/now Gallerist at -the gallery LTD- living and working in Bushwick, Brooklyn has exhibited in the NYC area, Europe and Japan where he is sending 7 artists to participate alongside him in the Kameyama Triennial in October 2021.

Through his art he has been investigating what it means to become a man, especially since confronted with his inability to protect his 4 year old son, who was kidnapped in 1990.

His work studies the dark forces behind what is considered to be “manhood’s rite of passage”. This same need to become a warrior was also instilled within him by his military upbringing. Testosterone’s travesty and horror is witnessed daily throughout the world by our autocratic governments and police forces.

Since March 2019 and the beginning of the protests for Democracy in Hong Kong the violence of the governmental police response has been overwhelmingly brutal. Students have been tortured, murdered, raped and disappeared without any repercussions for the perpetrators.

The Umbrella and Yellow Raincoat have become powerful symbols for the movement. The umbrellas have been effective for deflecting the tear gas canisters and the Yellow Raincoat was worn by a young protestor thrown to his death from the upper levels of a parking garage.

Add all of this to our current regime putting children in cages at the border, separating them permanently from their families or leaving them to die of disease and neglect.

Our American “manhood coming of age rituals” involve too many poseurs with guns, power and no morals, education or ethics.

Movable Cops

Movable Cops

132” x 154” x 27”

Hand Etched Plexiglass on Movable Rack System, Aluminum, Wood, Paper, Clock Pendulum, Plexiglass Mirrors, Umbrella, Yellow Raincoat, Charcoal on Cardboard, MDF

this piece is made to interacted with by the audience as all the plexiglass sheets are in sliding tracks

2019-2020

This piece “Movable Cops” was created in response to the horrific treatment of the mostly young protesters for democracy in Hong Kong by the CCP police, resulting in the disappearance, rapes, murders and imprisonments of thousands. Unfortunately this same police brutality is baked into our own White Supremacist police forces here. Etched into the plexiglass sheets are images of police in full battle gear which the viewers can move by the sliding track. The umbrella and yellow raincoat are just two of the many symbols of the protesters.

“Movable Cops”

Movable Cops

132” x 154” x 27”

Hand Etched Plexiglass on Movable Rack System, Aluminum, Wood, Paper, Clock Pendulum, Plexiglass Mirrors, Umbrella, Yellow Raincoat, Charcoal on Cardboard, MDF

this piece is made to interacted with by the audience as all the plexiglass sheets are in sliding tracks

2019-2020

This piece “Movable Cops” was created in response to the horrific treatment of the mostly young protesters for democracy in Hong Kong by the CCP police, resulting in the disappearance, rapes, murders and imprisonments of thousands. Unfortunately this same police brutality is baked into our own White Supremacist police forces here. Etched into the plexiglass sheets are images of police in full battle gear which the viewers can move by the sliding track. The umbrella and yellow raincoat are just two of the many symbols of the protesters.

“Movable Cops”

Movable Cops

132” x 154” x 27”

Hand Etched Plexiglass on Movable Rack System, Aluminum, Wood, Paper, Clock Pendulum, Plexiglass Mirrors, Umbrella, Yellow Raincoat, Charcoal on Cardboard, MDF

this piece is made to interacted with by the audience as all the plexiglass sheets are in sliding tracks

2019-2020

This piece “Movable Cops” was created in response to the horrific treatment of the mostly young protesters for democracy in Hong Kong by the CCP police, resulting in the disappearance, rapes, murders and imprisonments of thousands. Unfortunately this same police brutality is baked into our own White Supremacist police forces here. Etched into the plexiglass sheets are images of police in full battle gear which the viewers can move by the sliding track. The umbrella and yellow raincoat are just two of the many symbols of the protesters.

“Movable Cops”

Movable Cops

132” x 154” x 27”

Hand Etched Plexiglass on Movable Rack System, Aluminum, Wood, Paper, Clock Pendulum, Plexiglass Mirrors, Umbrella, Yellow Raincoat, Charcoal on Cardboard, MDF

this piece is made to interacted with by the audience as all the plexiglass sheets are in sliding tracks

2019-2020

This piece “Movable Cops” was created in response to the horrific treatment of the mostly young protesters for democracy in Hong Kong by the CCP police, resulting in the disappearance, rapes, murders and imprisonments of thousands. Unfortunately this same police brutality is baked into our own White Supremacist police forces here. Etched into the plexiglass sheets are images of police in full battle gear which the viewers can move by the sliding track. The umbrella and yellow raincoat are just two of the many symbols of the protesters.

“Movable Cops”

Movable Cops

132” x 154” x 27”

Hand Etched Plexiglass on Movable Rack System, Aluminum, Wood, Paper, Clock Pendulum, Plexiglass Mirrors, Umbrella, Yellow Raincoat, Charcoal on Cardboard, MDF

this piece is made to interacted with by the audience as all the plexiglass sheets are in sliding tracks

2019-2020

This piece “Movable Cops” was created in response to the horrific treatment of the mostly young protesters for democracy in Hong Kong by the CCP police, resulting in the disappearance, rapes, murders and imprisonments of thousands. Unfortunately this same police brutality is baked into our own White Supremacist police forces here. Etched into the plexiglass sheets are images of police in full battle gear which the viewers can move by the sliding track. The umbrella and yellow raincoat are just two of the many symbols of the protesters.

Atomic Explosion Themed Artworks

Pieces developed from my horror of the nuclear bomb

Divine Wind

Divine Wind

101”x22”x3.5”

Hand Etched Plexiglass with Shadows and Reflections

2018-2019

Divine Wind

Divine Wind

101”x22”x3.5”

Hand Etched Plexiglass with Shadows and Reflections

2018-2019

Divine Wind (detail)

fabrication process

Divine Wind (detail)

Divine Wind

Chasing the Nuclear Dragon

Charcoal on Paper mounted on gold leafed board in artist built mahogany frame

106.5” x 102” x 5”

2021

Corrections

“Corrections”

Charcoal and Pastels on 100% Rag Paper over Tar Paper mounted on Wood with Plexiglass Police Officers Corrections Department Shield

71” x 30” x 5”.

202O-2021

Corrections

“Corrections”

Charcoal and Pastels on 100% Rag Paper over Tar Paper mounted on Wood with Plexiglass Police Officers Corrections Department Shield

71” x 30” x 5”.

202O-2021

Bomb Site 20/20

“Bomb Site:20/20”

36”x36”x6.5”

Charcoal on 100%rag paper, Fluorescent Light, Wood, Paint, Blue Plexiglass

2020

Bomb Site 20/20

“Bomb Site:20/20”

36”x36”x6.5”

Charcoal on 100%rag paper, Fluorescent Light, Wood, Paint, Blue Plexiglass

Bomb Site: 20/20

“Bomb Site:20/20”

36”x36”x6.5”

Charcoal on 100%rag paper, Fluorescent Light, Wood, Paint, Blue Plexiglass

2020

Bomb Site 20/20

“Bomb Site:20/20”

36”x36”x6.5”

Charcoal on 100%rag paper, Fluorescent Light, Wood, Paint, Blue Plexiglass

2020

“Bomb Site:20/20”

“Bomb Site:20/20”

36”x36”x6.5”

Charcoal on 100%rag paper, Fluorescent Light, Wood, Paint, Blue Plexiglass

2020

“Pistol Packing Little Boy”

“Pistol Packing Little Boy”

26” x 27” x 7”

Hand Etched and Formed Plexiglass with Acrylic Paint, Shadows and Reflections

2019

“Little Boy” was the name given to the atomic bomb dropped on Hiroshima

This piece was created to exhibit in the 2019 Kyoto Arts Festival, Kyoto, Japan

Pistol Packing Little Boy

“Pistol Packing Little Boy”

26” x 27” x 7”

Hand Etched and Formed Plexiglass with Acrylic Paint, Shadows and Reflections

2019

“Little Boy” was the name given to the atomic bomb dropped on Hiroshima

This piece was created to exhibit in the 2019 Kyoto Arts Festival, Kyoto, Japan

“Pistol Packing Little Boy”

“Pistol Packing Little Boy”

26” x 27” x 7”

Hand Etched and Formed Plexiglass with Acrylic Paint, Shadows and Reflections

2019

“Little Boy” was the name given to the atomic bomb dropped on Hiroshima

This piece was created to exhibit in the 2019 Kyoto Arts Festival, Kyoto, Japan

“Pistol Packing Little Boy” (detail )

detail

“Pistol Packing Little Boy” (detail )

detail

“Pistol Packing Little Boy”

“Pistol Packing Little Boy” (side view)

26” x 27” x 7”

Hand Etched and Formed Plexiglass with Acrylic Paint, Shadows and Reflections

2019

“Little Boy” was the name given to the atomic bomb dropped on Hiroshima

This piece was created to exhibit in the 2019 Kyoto Arts Festival, Kyoto, Japan

Pistol Packing Little Boy

detail with Atomic Explosion showing in the dark blue

Chasing the Nuclear Dragon

Charcoal on 100% Rag Paper mounted on Gold Leafed Luan in an Artist built Mahogany Frame

106.5” x 102” x 5”

2021

I grew up in Japan from 1960-1963 and while there I read the book “Hiroshima”. It’s graphic images seared themselves into my brain, like the black shadows cast by the bomb’s dead upon the ground. This nuclear explosion feels to me like the nuclear creation of Godzilla.

Chasing the Nuclear Dragon

Charcoal on Paper mounted on gold leafed board in artist built mahogany frame

106.5” x 102” x 5”

2021

Kyoto Arts Festival 2019, 2021, 2025

I have been fortunate to exhibit in the Kyoto Arts Festival twice in the last few years due to the gracious curating of artist/curator Cake Hara.

Each time I have created a piece that, while controversial in Japan, have been my way of recognizing the illegal and unnecessary horrors we inflicted upon that nation through nuclear weapons

Kyoto Arts Festival 2019

the temple complex

Kyoto Arts Festival 2019

some of my pieces curated and installed by curator Cake Hara

Kyoto Arts Festival 2019

some of my pieces curated and installed by curator Cake Hara

Kyoto Arts Festival 2019

2 of my pieces curated and installed by curator Cake Hara

Kyoto Arts Festival

2 of my pieces curated and installed by curator Cake Hara

Kyoto Arts Festival

2 of my pieces curated and installed by curator Cake Hara

“Pistol Packing Little Boy”

“Pistol Packing Little Boy”

26” x 27” x 7”

Hand Etched and Formed Plexiglass with Acrylic Paint, Shadows and Reflections

2019

Arachnid

Arachnid

American Flag, Torn Up Blue Lives Cop Flag, Plasticized World Map, Oil Sticks

98” x 66”

2021

created for the Kyoto Arts Festival Festival October 2021

Kameyama Triennial 2021 (exhibition curated by William Norton)

For 2021 I was again invited to participate in the Kameyama Triennial in Kameyama, Japan.

I created this piece specifically for the exhibition.

I have also been allowed to curate 7 other artists to participate in this exhibition.

as the show gets placed I will include all the images of all the artists:

Artists who will be showing from NYC:

Etty Yaniv @etty.yaniv

Yukari Edamitsu @yukariedamitsu

Sonomi Kobayashi @sonomikobayashi

Natsuki Takauji @natsukiuji

Xiaowei Chen @chen_xiaowei_art

Daniel John Gadd @danieljohngadd

Chris Ketchie @ckny1800

William Norton @norton_william

October 10- November 6, 2021

World Menace

American and ripped up “Thin Blue Line” flags with Charcoal, Pastels and Oil Stick

World Menace

World Menace (Versi)

American and ripped up “Thin Blue Line” flags with Charcoal, Pastels and Oil Stick

Daniel John Gadd’s piece getting ready for the Kameyama triennial

Chris Ketchie’s piece in his studio getting ready for Kameyama

Yukari Edamitsu’s piece getting readied for the Kameyama triennial

Xiaowei Chen’s artwork getting ready for Kameyama

Sonomi Kobayashi’s piece getting ready for Kameyama

Etty Yaniv’s piece getting ready for Kameyama

One of the sites we will be presenting in

Kameyama Triennial, Mie Province, Japan 2017,

For the Kameyama Triennial in 2017 I was fortunate to be able to exhibit in an historical Samurai Dwelling originally built during the Edo Period in the 1700s.

As the building has historical significance we were not allowed to nail into the walls or the structure in any way the curator, Cake Hara, had individual pedestals built for each one. He then found a calligraphist to write the title of each one in Kanji.

Each piece had an image carved into it that was inspired by my childhood growing up in Japan.

I’ve been very fortunate that I’ve been invited back for each iteration

Configuring the presentation

4 pieces on pedestals with flat sculptures

In the Kameyama Triennial my work was displayed in an ancient, historic Samurai dwelling from the Edo period. We could not attach directly to the walls so the curator, Cake Hara, manufactured these pedestals for me

my sculptures laid out in presentation

While in Kameyama I formed these sculptures of Cats and Demons

Cats and Demon Claw

Cats and Demons

Cats

Cats and Demons

Demon Claw

A master calligrapher adds my titles to the pedestals

A master calligrapher adds my titles to the pedestals

Here an expert calligrapher paints the titles in each pedestal

A master calligrapher adds my titles to the pedestals

A master calligrapher adds my titles to the pedestals

A master calligrapher adds my titles to the pedestals

The venue

my sculptures

In this image the curator Cake Hara reconfigured the sculptures I made while in Kameyama for another viewing

on my studio wall prior to being sent to Japan

Exhibition at Implexus Gallery , Marioka, Japan

“Mirage Imperfect”, 3 Person Show, (Makiko Onda, Ai Ohkawarai, and William Norton) Implexus Art Gallery, Morioka City, Japan, curated by Ai Ohkawarai

“Mirage Imperfect”

“Mirage Imperfect”, 3 Person Show, Implexus Art Gallery, Morioka City, Japan, curated by Ai Ohkawarai

Mirage Imperfect

“Mirage Imperfect”, 3 Person Show, Implexus Art Gallery, Morioka City, Japan, curated by Ai Ohkawarai

Mirage Imperfect

“Mirage Imperfect”, 3 Person Show, Implexus Art Gallery, Morioka City, Japan, curated by Ai Ohkawarai

Mirage Imperfect

“Mirage Imperfect”, 3 Person Show, Implexus Art Gallery, Morioka City, Japan, curated by Ai Ohkawarai

Mirage Imperfect

“Mirage Imperfect”, 3 Person Show, Implexus Art Gallery, Morioka City, Japan, curated by Ai Ohkawarai

"Forest Fox"

"Forest Fox"

21" x 16" x 6".

Hand Etched and Formed Plexiglass with Shadows and Reflections mounted on wood.

2017.

“Boy’s Midnight Run”

“Boy’s Midnight Run”

Hand Etched and laser cut Plexiglass with Shadows and Reflections mounted on wood

12” x 12” x 3”.

2018

“Boy’s Midnight Run”

detail

“And So It Goes”

“And So It Goes”

Hand Etched and lasercut Plexiglass with Shadows and Reflections mounted on wood.

12” x 12” x 3.25”.

2018

“And So It Goes”

detail

“Subterranean Grid”

“Subterranean Grid”

Hand Etched Plexiglass with Shadows and Reflections mounted on wood.

12” x 12” x 2.5”

2018

"Japanese Fans

"Japanese Fans "

Hand Etched and Formed Plexiglass with Shadows and Reflections mounted on wood

16" x 16" x 5"

2017

Slipped Disc

“Slipped Disc with Daemons”

, Formed Plexiglass with Shadows and Reflections mounted on wood

15” x 20” x 6”

2017

ghosts in the machine 1 (winter)

2014

84" x 240" x 1 1/2"

hand-carved plexiglas and shadows

traveling everyday underground, my vision consistently fixed upon my surroundings and the lack of humanity in the moving parts.

everybody alive to their technology but not each other.

the blank canvas of the decaying walls more intoxicating and alive than the blank faces of the moving parts surrounding me.

the scale on this piece is purposeful.at 20 feet long and 7 feet tall it encompasses the viewer, making the viewer's shadow an active part of the composition. the scale of the hollow figures are drawn large enough to be identified with.

this piece took one year to create. it averaged out to 20 minutes per every 2 square inches. each carved mark being permanent and indelible required me to be alive and alert to how each mark spoke with its neighbors.

Ghosts in the Machine (Winter)

2014

84" x 240" x 1 1/2"

hand carved plexiglass and shadows

I spent 1 entire year carving these images into the 7’ x 5’ x 1/2” plexiglass, which I also built a hanging and interior framing system for. This piece can be mounted on the wall so it’s image becomes visible as the light passes through, the shadows of the carved lines are then cast onto the wall behind.

It can also just lean at an angle against the wall.

The images carved into the plexiglass are chosen from the hundreds of photographs I shot on the NYC subway platforms.

There is a staircase visible because entering the subway is reminiscent of entering the 7 circles of hell.

We are all just cogs in the machine

Ghosts in the Machine (Winter) [panel 1]

2014

detail (panel 1)

84" x 60" x 1.5"

Ghosts in the Machine (Winter) [panel 2]

2014

detail (panel 2)

84" x 60" x 1.5"

Ghosts in the Machine (Winter) [panel 3]

2014

detail (panel 3)

84" x 60" x 1.5"

Ghosts in the Machine (Winter)

2014

84" x 240" x 1 1/2"

hand carved plexiglass and shadows

presented at WhiteBox, NYC in the show I organized and co-curated with Elisabeth Sherman, "Tonal Vision"

Ghosts in the Machine (Winter)

2014

Installation shot at WhiteBox, March 1, 2015

Ghosts in the Machine and Writing the Weather

2014

writing the weather(on right)

2010-2014

WhiteBox, NYC March 1, 2015

Ghosts in the Machine (Winter)

2014

Bushwick Open Studios June 3, 2015

4 Person show curated by Chris Rucker

Ghosts in the Machine (Winter) [panel 4]

2014

detail (panel 4) 84" x 60" x 1.5"

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

detail

Ghosts in the Machine (Winter)

studio shot by Eliza Proctor

Adam Weinberg discussing this piece with me at my first curated exhibition “Can You Move It Up 1 Inch”

Ghosts in the Machine (Winter) & Writing the Weather

2014

84" x 240" x 1 1/2"

hand carved plexiglass and shadows

presented at WhiteBox, NYC in the show I organized and co-curated with Elisabeth Sherman, "Tonal Vision"

also:

Writing the Weather

Ghosts in the Machine-Winter

Ghosts in the Machine- Winter

Ghosts in the Machine-Winter

“Where's Eleven O'Clock”, curated by Kay Reese, Newark Open Doors,

Newark, New Jersey

2016

Ghosts in the Machine-Winter

Ghosts in the Machine-Winter

“Where's Eleven O'Clock”, curated by Kay Reese, Newark Open Doors,

Newark, New Jersey

2016

Ghosts in the Machine-Winter

Ghosts in the Machine-Winter

“Where's Eleven O'Clock”, curated by Kay Reese, Newark Open Doors,

Newark, New Jersey

2016

Ghosts in the Machine-Winter

Ghosts in the Machine-Winter

“Where's Eleven O'Clock”, curated by Kay Reese, Newark Open Doors,

Newark, New Jersey

2016

Ghosts in the Machine-Winter

Ghosts in the Machine-Winter

“Where's Eleven O'Clock”, curated by Kay Reese, Newark Open Doors,

Newark, New Jersey

2016

Ghosts in the Machine-Winter

Ghosts in the Machine-Winter

“Where's Eleven O'Clock”, curated by Kay Reese, Newark Open Doors,

Newark, New Jersey

2016

writing the weather

2010 - 2014

84" x 120" x 1 1/2 "

hand-carved plexiglas and shadows

stairs always flow between heaven and earth, sky and ground, rich and poor. some pause on a landing to view, review and live the moment.

Writing the Weather

Hand Carved Plexiglass with Shadows

84" x 120" x 1.5"

2010 - 2014

at WhiteBox Gallery, March 2015 "Tonal Visions" exhibition

this piece of people going up and down a staircase for me always refers to the passages between living and dying. the midpoint where some people are watching the birds fly are still watching the freedom of life go on.

writing the weather

Hand Carved Plexiglass with Shadows

84" x 120" x 1.5"

2010 - 2014

at WhiteBox Gallery, March 2015 "Tonal Visions" exhibition

this piece of people going up and down a staircase for me always refers to the passages between living and dying. the midpoint where some people are watching the birds fly are still watching the freedom of life go on.

writing the weather

84" x 120" x 1.5"

hand Carved Plexiglass with Shadows

2010-2014

at WhiteBox, NYC

Tonal Visions, co-curated with Elisabeth Sherman

writing the weather

detail of figures on stairs

writing the weather

detail of birds in flight

mission accomplished

84" x 219" x 8"

hand-carved plexiglas and shadows

young men and minds are very easily molded, brain washed, transformed into cannon fodder for the gory glory of older ,more cynical exploitative generations. manhood is too easily defined by patriotism, jingoism, racism, mixed with infusion of testosterone, new muscle growth, and a need to spread the seed.

"the surest way to corrupt a youth is to instruct him to hold in higher esteem those who think alike than those who think differently", nietzsche

mission accomplished

2010 - 2014

84" x 219" x 8"

hand carved plexiglass with shadows

the image is of indigenous children practicing their rituals of manhood. they are stalking, in file through the dense brush, prey with spears and arrows

mission accomplished

installation shot

the image is of indigenous children practicing their rituals of manhood. they are stalking, in file through the dense brush, prey with spears and arrows

mission accomplished

installation shot

mission accomplished

installation shot

the image is of indigenous children practicing their rituals of manhood. they are stalking, in file through the dense brush, prey with spears and arrows

mission accomplished

installation shot

mission accomplished

Installation Shot Bushwick Open Studios June 2015

mission accomplished

detail

top of one boy's head, jungle background

mission accomplished

detail

boy's elbow, spears

the collective behavior of fermions disemboguing

2015 - 2016

101 1/2" x 54" x 25"

3 layers of hand carved clear plexiglass, 2 layers of colored plexiglass, shadows, light, wood, metal aand copperleaf

the collective behavior of fermions disemboguing

2015 -2016

101.5" x 54" x 25"

3 layers of hand carved clear plexiglass, 2 layers of colored plexiglass, shadows, metal, wood, copperleaf and light. hand made artist’s frame

several layers of plexiglass with images of trees overlaid

The Collective Behavior of Fermions Disemboguing

detail

The Collective Behavior of Fermions Disemboguing

The Collective Behavior of Fermions Disembouing

The Collective Behavior of Fermions Disemboguing

mission accomplished 2

2010

54" x 60" x 1 1/2"

hand-carved plexiglas and shadows

mission accomplished 2

2010-2014

54" x 60" x 1 1/2"

hand carved plexiglass and shadows

here we have young aboriginal children learning the crafts of hunting and warfare, as they travel through the dense jungle with arrows and spears, a rite of passage to manhood.

Last Solo Show Prior to Finding My Son

In 1990 my son was kidnapped and disappeard, throwing my entire life out of balanc. In 2000 I found him and had the FBI bring him home. Unfortunately I was up against a "church" with seemingly inexhaustible funds and the next 18 months had me battling them in court. this exhausted me financially and emotionally, especially when my son was brain washed into rejoinging them after 18 months of being home with me.

Swing Theory

1999

96" x 106" x 20"

Hand Carved Plexiglass, Colored Plexiglass, Acrylic Paint, Holographic Papers, Fluorescent Lights and Plywood

Swing Theory

side view

Swing Theory

with a fan

Swing Theory

Complex Life

1999

96" x 96" x 16"

Hand Carved Plexiglass with Acrylic Paint, Colored Plexiglass, Plywood

Leda and the Swan

1999

96" x 96" x 16"

Plxiglass, Acrylic Paint, Plywood

the wind has taken your voice from me

2015

85" x 75" x 12'

hand carved plexiglass, shadows, mirrored bronze plexiglass, live plant, ant farm, 100% rag paper, wooden shelf

this detail shows a side view of a staircase from my daily journey into the NYC subway, a grid as part of my regimented existence and a live plant - a hope for a better life

the wind has taken your voice from mr

2015

85" x 75" x 12'

hand carved plexiglass, shadows, mirrored bronze plexiglass, live plant, ant farm, 100% rag paper, wooden shelf

(another piece dealing with the loss of my son and how too much of my life since then has been spent rebuilding like a hard working drone ant)

staircase, live plant and grid

the image carved into the plexiglass layers is of young boys playing at being men with long spears, in the lush forests.

the crushed and folded paper is as if discarded waste

the live ant farm

creation theorie

2001

84" x 102" x 4 1/2"

hand-carved clear plexiglas, shadows and black plexiglas

having lost my 4 year old son for an entire decade to insane psychotic, sociopathic religious cultish evil [see reader's digest, september 2002, 'boy interrupted'], in an attempt to better understand, i invested my energies in studying various creation beliefs from many cultures.

creation theorie

2001

hand carved plexiglass, shadows and black plexiglass

84" x 102" x 3 1/2"

creation theorie

2001

detail

“Creation Theorie: Blood Moon”

1999 - 2018

84" x 102" x 4 1/2"

hand-carved clear plexiglas, shadows, black plexiglas, and acrylic paint

"fear created the first gods in the world" caecilius statius

“Creation Theorie: Blood Moon”

“Creation Theorie: Blood Moon”

Hand Etched Plexiglass in front of Black Plexiglass. 84” x 96” x 7.5”

1999-2018.

After my 4 year old son was kidnapped and disappeared in 1990 I spent many years investigating the reasons why. I studied world religions and philosophies trying to get a handle on my loss.

This also led me to investigate my own upbringing and history, having been raised in the military it was expected that I too would become a warrior. Men are brought up with indoctrinations that are supposed to prepare us to navigate our world and society. Many indigenous peoples have intricate rites of passage to manhood that do prepare their young men to be hunters, warriors that can function well in their societies.

“Creation Theorie: Blood Moon”

hand carved plexiglass, shadows, black plexiglass, acrylic paint

84" x 102" x 3 1/2"

“Creation Theorie: Blood Moon”

detail

“Creation Theorie: Blood Moon”

detail

“Creation Theorie: Blood Moon”

detail

“Creation Theorie: Blood Moon”

detail

“Creation Theorie: Blood Moon”

detail

“Creation Theorie: Blood Moon”

detail

Curated Exhibitions 2015 -2016

From 2015- 2016 I curated a series of exhibitions built around the talented people I am fortunate to work with at the Whitney Museum of American Art. I located venues, pitched and sold the concept, then ran with it. Building one success upon another. Starting with Peter Hopkins at ArtHelix Gallery, we moved to WhiteBox with Tony Guerrero, then to Brooklyn FireProof with Burr Dodd. Then for Bushwick Open Studios to 23 Meadow Street. Plus a 4 Person Show at 49 Bogart Street.

ArtHelix: "Can You Move It All Up One Inch"

WhiteBox: "Tonal Vision", co-curated with Elisabeth Sherman {Whitney}

Brooklyn FireProof: "Behind the White Walls", co-curated with Carmen Hermo {Guggenheim}, Hazel Santino

23 Meadow Street: "Audacious, Auspicious,Anfractuous, Anomalous, Asynchronous, Autonomous Artists", co-curated with Carmen Hermo

4 Person Exhibition curated by Chris Rucker

Can You Move It All Up One Inch

2015

norton curated exhibition at ArtHelix Gallery

Bushwick Brooklyn NY

Can You Move It All Up One Inch

can you move it all up one inch

With Adam Weinberg and Donna DeSalvo of the Whitney Museum of American Art

Can you Move It All Up One Inch

can you move it all up one inch

Opening night

Can You Move It All Up One Inch

Art Helix Gallery, Bushwick Brooklyn

1 of 3 back-to-back exhibitions I curated there

January 2015

Can You Move It All Up One Inch

2nd Exhibition Art helix Gallery

Can You Move It All Up One Inch

2nd Exhibition ArtHelix Gallery

Can You Move It All Up One Inch

3rd Exhibition Art Helix Gallery

Tonal Vision

2015

norton and Elisabeth Sherman (curator Whitney Museum) curated exhibition at WhiteBox Gallery NYC

Tonal Vision

Behind the White Walls

2015

norton, Carmen Hermo (Guggenheim Curator), Hazel Lee Santino curated exhibiton at Brooklyn FireProof Gallery, Brooklyn, NY

$Audacious, Auspicious, Anfractuous, Anaomo;ous, Asynchronous, Autonomous Artists$

Audacious, Auspicious, Anfractuous, Anaomo;ous, Asynchronous, Autonomous Artists

2015

norton curated 20 Person show for Bushwick Open Studios at PopUp Space 23 Meadows Street, Brooklyn, NY

4 Person Exhibition

2015

curated by Chris Rucker

for Bushwick Open Studios

Bushwick Open Studios

June 5-7, 2015

A Decalogue of Tenebrous Luminaries

A Decalogue of Tenebrous Luminaries, curated by norton at ArtHelix Gallery, 7/2016, was a ten person exhibition built around the landscape.

A Decalogue of Tenebrous Luminaries

A Decalogue of Tenebrous Luminaries

Small Works

This is a recent collection of small Hand Formed and Hand carved Colored Plexiglass Pieces

Smaller Works

This is a sideview detail shot of Subteranean Garden

Hula Hoops

2016

12" x 12" x 4"

Hand Carved and Hand Formed Colored Plexiglass

Subterranean Stairs

2016

12" x 12" x 4"

Hand Carved and Hand Formed Colored Plexiglass

Subterranean Garden

2016

12" x 12" x 4"

Hand Carved and Hand Formed Colored Plexiglass

Subterranean Stairs

SideView

Subway Stairs

2016

15" x 13" x 6"

Hand Carved and Hand Formed Colored Plexiglass with Bronze Mirrored Plexiglass

Samurai with Fans

2016

17" x 17" x 6"

Hand Carved and Hand Formed Colored Plexiglass with Bronze Mirrored Plexiglass

i walked forever

2016

14" x 16" x 10"

Hand Carved and Formed Plexiglass with Tar

i walked

SideView

Subterranean Samurai

2016

14" x 14" x 6"

Hnd Etched and Formed Colored Plexiglass with Bronze Mirrored Plexiglass with Shadows and Reflections

Gold Leafed Totem

2016

10" x 8" x 6"

Hand Carved Clear Plexiglass with Colored Plexiglass, wood and gold leaf

Horizontal Landscapes

Forest Goddess

Forest Goddess

15” x 111” x 4”

Hand Etched Plexiglass with Shadows and Reflections mounted and Framed with Wood, Gold Leaf

2017

Forest Goddess

(in its new home)

Feral Forest

Feral Forest

Hand Etched Plexiglass with Shadows and Reflections Framed and mounted with wood

16.5” x 62.5” x 4.5”

2018

Feral Forest

side view

Feral Forest

Feral Forest

Hand Etched Plexiglass with Shadows and Reflections Framed and mounted with wood

16.5” x 62.5” x 4.5”

2018

Feral Forest

Feral Forest

Hand Etched Plexiglass with Shadows and Reflections Framed and mounted with wood

16.5” x 62.5” x 4.5”

2018

Feral Forest

Feral Forest

Hand Etched Plexiglass with Shadows and Reflections Framed and mounted with wood

16.5” x 62.5” x 4.5”

2018

Feral Forest

detail left

Feral Forest

detail right

Behind the Midnight

2018

Hand Etched Plexiglass with Shadows and Reflections Framed and mounted with wood

18” x 39” x 5”

Behind the Midnight

Hand Etched Plexiglass with Shadows and Reflections Framed and mounted with wood

18” x 39” x 5”

2018

Behind the Midnight

detail right

Behind the Midnight

detail center

Behind the Midnight

detail left

Forest Demon

2017

Hand Etched Plexiglass with Shadows and Reflections mounted on wood

12” x 48” x 3'‘

Forest Demon

detail left

Demon Hunting Night

2017

Hand Etched Plexiglass with Shadows and Reflections mounted on wood

12” x 48” x 3”

Demon Hunting Night

detail left

Ichigo Ichi - Hand Etched Plexiglass with Shadows and Reflections Framed in Plexiglass - 2018 - 22” x 102” x 5.5”

ichigo ichi (side view)